T.P. The Story of a Roll
Status: Complete
Genre: Short Film (Comedy)

Introduction
The Pitch
The Story
Take One -- 2004
Take Two -- 2005
Pre-Production
Production
Post Production
In Summary
The Cast
The Crew

T.P.
The
Story of a Roll
The
Movie that Almost Wasn't
Introduction
Below
is a summary of the production of T.P. The Story of a Roll. In a
nutshell, this movie, although shot in two days, took over a year
and a half and about $500 dollars to bring to life. Thanks to Hurricane
Ivan (September 2004) production was stalled for a year. Locations
were flooded and I and other crew members were called into work.
During the second attempt Hurricane Katrina (September 2005) stole
one of my key crew members who was deployed to Mississippi and Louisiana
. Also in August/September of 2005 I lost my two main actors, TyLee
McKeown ( Sharon ) and J.J. Eberly (Kevin)! I was also informed
that several members of the 2004 crew were not available for the
2005 reschedule. With just a few short weeks until shoot-time I
am with out a cast and losing crew-members like a severed artery
loses blood, fast and uncontrolled.
But,
alas, T.P. did become reality. With several last minute rewrites,
scene cuts, character drops, a gracious acting duo and a small skeleton
crew behind the camera T.P. had the green-light.
If
anything, T.P. has two stories interwoven together. The first story,
the obvious one, is about a couple fighting over toilet paper. The
second story, the off-camera one, is about how anything is possible
if you stick with your dreams, believe in yourself, and surround
yourself with the right people (enter my undying thanks to friend
and colleague Sherry Teleky Waple, proprietor of Golden Horse Productions).
The Pitch
Back
in January 2004, my brother, Kevin Scully, called me at work to
pitch a story for a short movie. The story shadowed the experience
of my brother as he moved in with his girlfriend, Sharon Hill, and
quickly learned that they have a difference of opinion as to how
the roll of toilet paper is to hang off the spool. Kevin likes it
to hang from the back and Sharon (just as I) prefers to have it
hang from the front. Of course, this discovery bared no easy compromise.
For weeks they bantered about this topic, each one antagonizing
the other by purposely switching the roll around at every opportunity.
Kevin
thought it would be fitting to have tragic ending to this story.
It was Kevin's idea to kill his character at the end of the story
just to add to the one-two punch of watching a movie about toilet
paper.
The
Story
With
a few notes etched on scrap-paper and a phone call of idea sharing
I set out to pencil my first draft of T.P. My foremost thought while
writing the script was budget or lack of a budget. I know there
wasn't going to be a lot of money available for this project so
I had to keep the story simple, few locations and minimal actors.
A couple weeks later, the first draft was born. Clocking in at a
whopping seven pages it assured a quick production with almost no
bucks!
The
original story differs greatly from the completed project. The idea
was still the same but the original script introduced friends of
Kevin and Sharon and a couple cemetery scenes after Kevin's death.
Take
One - 2004
Pre-Production
Friday,
September 17, 2004 , cast and key crew members met as a group for
the first time the day before principal photography was to start.
Hurricane Ivan, now a Tropical Depression, was slowly moving in
to the Harrisburg area. Crew members were selected to the play the
friends to Kevin and Sharon. A table read was held and the entire
cast and crew added ideas that would be incorporated into the story.
We discussed the possibility of cutting the exterior cemetery scene.
TyLee (originally cast as Sharon ) suggested having Kevin be cremated
and then she could dump the ashes down the toilet in a fit of rage
at the end of the movie. Everyone burst into laughter and the cremated
Kevin concept was born and the cemetery scene was laid to rest (all
puns intended).
At
the end of the meeting Sherry Teleky Waple handed out the call sheets
for the next morning. Jim Hollenbaugh (original Director of Photography)
transferred his cache of lighting equipment into Sherry's truck.
Sherry and I went over last-minute stuff and said our good-byes
and headed for home to get some much needed rest to prepare for
the next 48-hours. This was it! T.P. was going to come to life.or
so we thought.
Saturday
morning Sheila Wynn (crew member and cast as a friend to Kevin and
Sharon) arrived at my house. We were going to car-pool to the first
location in Harrisburg . Sheila stated that Harrisburg City was
in a State of Emergency because of flooding. My full-time job is
with Dauphin County 's Emergency Management Agency. I called work
and learned that our Emergency Operations Center was open, there
was flooding all through-out the County and that Chris Fisher (crew
member and property owner of the second location to be used) was
already at work in the EOC. I also learned that the third set, Flavers
Restaurant, was flooded by a near-by creek and was no longer available
for the shoot. I, too, am on my way into work. I made the heart-breaking
phone call to Sherry. Just hours away from cameras rolling, T.P.
production was cancelled.
Take
Two - 2005
Pre-Production
Sherry
and I kept in constant touch regarding T.P. This set-back was not
going to the demise of this destined masterpiece (well, short movie
anyway). It is now July and we found some time, again, in September
and started the pre-productions efforts all over again. During this
time new ideas continued to surface and the T.P. story went through
many, many revisions. We contacted the original cast and quickly
learned that new challenges were upon us. J.J. Eberly crew into
a "mountain man" look for a new job and TyLee, now married, was
pregnant. I also learned that Jim Hollenbaugh was no longer available
as with several crew members. Even Sheila was home with my two-month
old niece.
Not
only are Sherry and I picking up the pieces from last year but we
are now basically starting from scratch with just over a month until
T.P. is to start production.
Again,
Sherry came to the rescue. She sent a copy of the script to John
B. Nelson, an actor from Connecticut who appeared in the short film
Obsession that Sherry made earlier in 2005. John loved
the story and was enthusiastic about the part. John also paid for
his hotel room knowing that I did not have the budget for out-of-towners
(another dose of undying gratitude). Ok, half of the main characters
are filled but what about Sharon ? Sherry and I went through headshots
from auditions for Poultry and Prejudice, Sherry's first short movie,
and we narrowed the selection down to three actresses. Sherry sent
the requests out the next day. One actress turned down the role
after reading the script and another never responded. All the better
because I couldn't have picked a better selection for Sharon . Kristine
Robinson accepted the part and like John, was pretty excited about
it. With about a month to go the pieces were starting to snap together.
By
this time I have made many changes to the story. Due to lack of
"extras" for friends I had cut them out. I also cut the scene at
the restaurant. This was difficult, I was excited about shooting
there and I had the owner's daughter, Cassandra, lined up to play
the server. It broke my heart to have to tell Cassandra that the
scene was cut. I know she was disappointed, as was I, but it was
the right decision based on budget, time and lack of extras.
The
crew was made up of various colleagues from previous shoots. We
came up with a crew of 9, Sherry and I included. This is a good
number, however; only 6 to 7 were on set at any one given time and
some doubled as actors for small, one scene rolls.
Equipment
was the last order to be taken care of. The movie was shot on Cannon
XL1 cameras. Sherry owns one and she was able to barrow a second
one from a friend. Armed with two cameras I no longer had to rent
them, a big saver on this little budget! Jim Hollenbaugh was going
to hook me up with a sweet lighting deal in 2004 but this was not
the case in 2005 since Jim was not available for the shoot. Sherry
provided me information for a production house in the area called
Olegna Productions, Inc. The owner, Angelo Del Monte, was great
to work with and very generous by renting me a lighting and sound
kit that did not break my budget (if you are reading this, Angelo,
I still can't thank you enough).
The
puzzle was 99% complete! We had actors, crew, equipment and a finalized
script that reduced shooting to only two locations. The last puzzle
piece would fit into place the day before shooting, September 16,
when the principal crew and cast members met for the first time.
The
night before shooting we held a table read and camera test. This
was the first time the two main actors met and the first time Sherry
and I would formally meet Kristine Robinson. As I mentioned earlier,
I could not have been blessed with a better cast. Kristine and John
hit it off right away. They looked good and believable as a couple
despite their gapping age difference. John is 30 and Kristine is
only 17! Kristine can definitely hold her own acting as an older
character.
The
script was used as a guideline of how the story will unfold. While
role-playing with the script I advised each actor to make stuff
up. Some of the funniest material comes from the "spur of the moment".
Many spontaneous lines made up by John and Kristine were captured
and incorporated into the scenes to be shot over the next 48 hours.
Production
Saturday,
September 17 , the crew arrived at the first location the
Goldberg Katzman law office in Harrisburg . Here we would shoot
the last scene of the movie that is seen after the credits roll.
This is the "Heaven's bathroom" scene. Originally I was going to
shoot a Heaven scene and a Hell scene but later decided to save
time and costume rental costs but cutting the Hell scene. I was
also very excited about adding a shot to the Heaven scene that I
had come up with about a week prior. This shot would show Jesus
in a stall adjacent to John reacting to John's derogatory comment
when he sees the toilet paper hanging in the "incorrect" manner.
Chris Fisher was kind enough to lend himself to the role of Jesus.
Sherry did the wig and make-up as the rest of the crew prepped the
bathroom for the shot. A side note to budget saving tips, the costume
that Chris wore was the same costume rented for John, minus the
angel wings. Also, Sherry purchased a long-haired wig and cut it
to make the beard.two components for the price of one!
After
wrapping the shots at the Harrisburg location the crew cleaned up
and we headed to the final location, Chris Fisher's house in Middletown
. This location served as the sets for the bathroom, living room
and stairway scenes. This house was perfect because the layout of
the living room provided ample space for lighting and camera placement
and the bathroom, though narrow, was long enough to squeeze in two
cameras, a crew of up to four and three actors. The lighting in
the bathroom was perfect. In fact it was so perfect that we did
not set up our lighting equipment and had to unscrew a couple light
bulbs from the existing fixtures to reduce hotspots! This save a
tremendous amount of time because while we were shooting in the
bathroom the remaining crew could set up the lighting equipment
in the living room.
During
this stage of production two more crew members stepped in front
of the camera to play small roles. Mike Henry, my DP, played a police
officer for a scene involving a domestic disturbance and I played
a firefighter who responded to a bathroom prank. Blaise Arlotto,
the Sound Mixer/Grip, put down his equipment briefly to read opposite
John during a phone conversation. After that it was all John and
Kristine.
Production
was pretty much on schedule and budget even after being hit with
another blow. Last year Hurricane Ivan put a halt to production.
This year Hurricane Katrina would make her presence felt on the
set. Louisiana and Mississippi were hit pretty hard. Sure, this
is nowhere near Pennsylvania , but while shooting on Saturday Chris
Fisher received notification that he would be deployed to the New
Orleans area as part of a search and rescue team. The owner of my
set was southbound and my crew shrunk a little more. Chris' wife,
Jenn, was very accommodating. Her parents were visiting for the
weekend and the three of them stayed in an RV in front of the house
during shooting. Jenn never once complained but I admit, I really
felt awkward invading her house when Chris was away.
I
think we wrapped around 6 or 7 that evening. The cast and crew discussed
the happenings of the day and made suggestions for future shots.
While planning Sunday's activity we had to take into account that
we would loose a couple more crew positions but gain one that was
not available for Saturday. We also wanted to wrap John's scenes
early since he had to drive back to Connecticut that evening. After
the brief meeting I turned the house over to Jenn and called it
a night.
Sunday,
September 18, the crew arrived at the Middletown location. Even
though we were pretty much on time, I was rushing so I could turn
the house back over to Jenn and her visitors for the final time.
Things went pretty smoothly. We shot all of the remaining scenes
for John first, ending shortly after lunch. We did brief cast and
crew interviews outside the house and bid John farewell and a safe
journey home. The rest of the afternoon was spent shooting Kristine's
solo scenes.
I
called the final "cut" shortly after 5pm . This was it! T.P. was
now a prisoner, a random slew of scenes trapped on mini-dv tape
waiting to be unleashed in editing. The cast and crew said their
final good-byes. It's funny how you spend a couple of days with
a group yet it feels like a lifetime when it's over.
Post
Production
I
won't bore you too much with post-production notes. I was fortunate
to have spare time after shooting to start working on editing right
away. It only took about a month to get the first cut. Sherry and
I met to review the rough cut, made some changes and it was off
to the computer again. Like the script, the finished product has
some differences form the first cut. I rearranged scenes to help
the story flow better, changed some original music selections and
made several subtle changes. On Christmas day I rendered what would
be the final cut of T.P. on DVD. I took care of the cover design
and Angelo (Olegna Productions) designed the DVD label and made
my copies. T.P was now officially a short film ready for distribution.
In
Summary
I
can't stress enough how thankful I am for the friendships and dedication
of everyone who was a part of this film. Sure, I credit myself as
the Director but this project would never have left the ground if
it weren't for the good people I surrounded myself with. This was
my first shot at directing. I am proud to say that things went smooth,
by the numbers and within budget (at least until I screwed up and
had Olegna make copies of a DVD with an error that I would later
correct and re-burn.Opps) all because of my fantastic crew, actors
and most importantly Sherry. I truly, truly, truly could not have
completed this project to this level without Sherry Teleky Waple
by my side!
The
Cast
John
B. Nelson, Jr. - Kevin
Kristine Robinson- Sharon
Rick DiBello- Police Officer
Dan Scully - Fire Fighter
Mike Henry - Police Officer
Blaise Arlotto - Voice
Over on Telephone
Matt Simon - Shower Singer
Dan Scully - Voice Over
on Television
top
The
Crew
Dan Scully
- Director/Writer/Editor
Sherry Teleky Waple - Producer/Make-up/Wardrobe/Camera
Operator
Mike Henry - Director of Photography
Kevin Scully - Writer/Story By
Galen Gingerich - Camera Operator
Matt Simon - 1st Assistant Camera
Linda Shaffner - Script Supervisor
Sammy Cesare- Boom Operator/Key Grip
Blaise Alotto - Sound Mixer
Chris Fisher - Key Gaeffer
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